Uncle Sam protecting his property against the encroachments of his cousin John

Uncle Sam protecting his property against the encroachments of his cousin John
Complete Explanation: Northern fears of European intervention in the Civil War on behalf of the South are manifest here. Uncle Sam, in the form of a bearded Union soldier (closely resembling Abraham Lincoln), unceremoniously routs John Bull from a fenced garden where the latter has been poaching. Grabbing him by the scruff of the neck, Sam warns, "John, You lost your Non-interfering Principle. I'll lay it on your back again." The American wields a large stick "Principle of Non Enterference." John Bull has a handful of cotton plants, more of which appear at right, and wears "Armstrong's Patent" cannon on his legs. (The term refers to a type of English-made gun used by the Confederates.) The artist has hidden several Negro faces in his drawings of cotton plants here. A cock with the head of French leader Napoleon III watches from his perch on the fence at left. At right stands a large scarecrow from whose arms hang the lifeless bodies of Confederate general P. G. T. Beauregard and Confederate president Jefferson Davis. A plaque on the scarecrow reads, "All Persons Tresspassing These Premisses, will be punished according to Law." (click image for source)

American Lambs Subdued by Europe's Demon

American Lambs Subdued by Europe's Demon
For thy sake we are killed all the day long; we are accounted as sheep to the slaughter. Romans 8:36

The Federal Reserve as Crowned Bloodsucker

The Federal Reserve as Crowned Bloodsucker
Populist preacher William Jennings Bryan was thrice the Democratic nominee for President from 1896 -1908. The central theme of his anti-imperialist campaign was that America was falling into a trap of “financial servitude to British capital”.

Concord Battle-Ground

Concord Battle-Ground
Duty is a Mountain Death is a Feather

POETICAL WORKS: JAMES RUSSELL LOWELL (1891)

This blog is inspired by my grandfather's books from the 19th century. Within these books, are glimpses of a "fire in the spirit" that is all but lost in America today. The mettle/determination of a different era blazes throughout. The grotesque misinformation and disinformation that deluge our sources of knowledge today (the propaganda runs dark & deep), drove me to these 19th century texts. I was searching, desperately, for some unadulterated truths. I do think I found a few precious gems. Below, a few poems and excerpts from poems. The tragedies and injustices we witness today occurred in the past. The only difference is, today, few see. In the early days of the Republic, a disciplined and educated populace actively resisted despotism. This defiance to old world tyranny is readily identifiable in these poems. Dig the title, "crowned bloodsuckers". Do we see anything, even remotely, resembling such a ferocity of spirit today?
To John G. Palfrey ( LINK ) There are who triumph in a losing cause, Who can put on defeat, as 't were a wreath Unwithering in the adverse popular breath, Safe from the blasting demagogue's applause; 'Tis they who stand for freedom and God's laws. And so stands Palfrey now, as Marvell Stood, Loyal to Truth dethroned, nor could be wooed To trust the playful tiger's velvet paws: And if the second Charles brought in Decay Of ancient virtue, if it well might wring Souls that had broadened 'neath a noble day, To see a losel, marketable king Fearfully watering with his realm's best blood Cromwell's quenched bolts, that erst had cracked and flamed, Scaring, through all their depths of courtier mud, EUROPE"S CROWNED BLOODSUCKERS,___ how more ashamed Ought we to be, who see Corruptions flood Still rise o'er last years mark, to mine away Our brazen idol's feet of treacherous clay!
SUGGESTED BY THE GRAVES OF TWO ENGLISH SOLDIERS ON CONCORD BATTLE-GROUND. These men were brave enough, and true To the hired soldier's bull-dog creed; What brought them here they never knew, They fought as suits the English breed: They came three thousand miles, and died, To keep the PAST upon it's throne; Unheard, beyond the ocean tide, Their English mother made her moan.
Stanzas on Freedom MEN! whose boast it is that ye Come of fathers brave and free, if there breath on earth a slave,Are ye truly free and brave?If ye do not feel the chain,When it works a brother's pain,Are ye not base slaves indeed,Slaves unworthy to be freed?They are slaves who fear to speak For the fallen and the weak;They are slaves who will not choose Hatred,scoffing, and abuse,Rather than in silence shrink From the truth they needs must think;They are slaves who dare not be In the right with two or three.


The link ABOVE contains one of the Reverend Martin Luther King's most profound but most overlooked speeches. This speech, in all probability, got him assassinated. In it he deviated from civil rights to anti-war. This anti-war stanch upset the Military Industrial Complex.

(Of particular interest to me and relevance to this blog, is the inclusion of an excerpt from a James Russell Lowell poem that MLK so generously and warmly ended his powerful discourse with)



Crowned Vampires in Action (below)

Crowned Vampires in Action (below)
America's First ... and only Real Enemy: not the people of England, but British Monarchy.

Social Engineers Hard at it

Social Engineers Hard at it
“Just look at us. Everything is backwards; everything is upside down. Doctors destroy health, lawyers destroy justice, universities destroy knowledge, governments destroy freedom, the major media destroy information, and religions destroy spirituality.” — Dr. Michael Ellner

Common Law Common Sense (Fear the Righteous)

Common Law Common Sense (Fear the Righteous)
Martyr's Innocence

Saturday, July 29, 2017

The Angry Arab News Service/وكالة أنباء العربي الغاضب: Propganda promotion of Israel in US popular cultur...

The Angry Arab News Service/وكالة أنباء العربي الغاضب: Propganda promotion of Israel in US popular cultur...

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***To me it is rather inexplicable the extent to which there is a (propaganda) obsession with Israel in American popular (especially--but not exclusively--film) culture. Michele and I have been watching the thrilling series Blacklist on Netflix (I love James Spader) and suddenly they throw in a Mossad agent. And it doesn't even make sense: there is a counter-terrorism FBI operation, and they invite an agent of a foreign intelligence agency to sit in and participate in US operations on US territory? Even in pro-Israeli US, this does not happen. And the character does not even add to the story--she in fact detracts from it (and fittingly, they chose an Iranian-American to play the role of the Israeli). And the story has to mention the Iranian nuclear program (but certainly not the Israeli nuclear arsenal--well beyond a program). But what is key is that those insertions of Israel into American popular culture were never innocent: they are often by design. Arnon Milchan, the famous Hollywood producer (behind such hits as "Pretty Woman"--the disgustingly sexist movie), was revealed later in his life to be an Israeli secret agent who assisted in the Israeli nuclear program. Menahem Golan (the producer of most of the sleazy and trashy racist hits of the 1980s, like Delta Force series) was an Israeli too. And now I read that Netflix will be commissioning a movie about Ashraf Marwan, the Israeli spy.***

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